尸检报告 - 巴西Goregrind乐队Traqueomalácia专访

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今天采访到的是来自巴西的一支Goregrind乐队Traqueomalácia，组建于2017年的Traqueomalácia乐队今年也是他们组建的第九个年头了，从最初的两个人的阵容演变成为现在三个人的阵容，乐队深受Goregrind风格的影响，2018年的三张Spilt专辑都受到了广泛的好评，2020年的第一张正式专辑“Anthology of Abnormal Cadaverous Degradation”更是将Goregrind这种风格演绎到极致，20首歌曲只有短短的19分钟，所有Goregrind的精髓都完美的在这张专辑当中体现出来，今年乐队在巴西著名的厂牌Rotten Foetus Records发行了他们的第二张正式专辑“Perfurações Necrópsicas Ilógicas”，如果想体现最纯正的Goregrind音乐，那么Traqueomalácia乐队的新专辑是你一定不能错过的，在新专辑发行之际杂志与Traqueomalácia乐队MATEUS和FABRÍCIO两名成员取得联系进行了一次专访！

（V: 代表笔者 M: 代表MATEUS F: 代表FABRÍCIO）

Today, we feature an interview with Traqueomalácia, a goregrind band from Brazil. Formed in 2017, the band is now in its ninth year of existence. Having evolved from an initial duo into a three-piece outfit, the group is deeply rooted in the goregrind genre. Their three split albums released in 2018 garnered widespread acclaim, and their 2020 debut full-length, *Anthology of Abnormal Cadaverous Degradation*, pushed the goregrind style to its absolute limit—packing 20 tracks into a mere 19 minutes and perfectly capturing the very essence of the genre. This year, the band released their second full-length album, *Perfurações Necrópsicas Ilógicas*, via the renowned Brazilian label Rotten Foetus Records. If you are looking for the purest form of goregrind, this new release from Traqueomalácia is an absolute must-listen. To mark the occasion, we reached out to band members Mateus and Fabrício for an exclusive interview!

(V: Interviewer | M: Mateus | F: Fabrício)

采访对象：FABRÍCIO / MATEUS（Traqueomalácia乐队鼓手 / 歌手）

采访时间：2026.11.12

V: 你好！很高兴见到你，也非常感谢你参与这次访谈。据我所知，这应该是你们乐队首次接受中国杂志的采访。首先请你向中国的乐迷们打个招呼。Traqueomalácia成立于2017年，算起来已经有九年的历史了。当初你们是如何组建这支乐队的？“Traqueomalácia”这个名字又有什么含义呢？

Hello brother, it's nice to meet you and I'm very grateful for your participation in this interview. I think this is the first time your band has been interviewed by a Chinese magazine. First of all, I'd like to say hello to all our Chinese fans. Traqueomalácia was formed in 2017, so it's a band with a nine-year history. How did you form this band in the first place? What is the meaning behind the name Traqueomalácia?

M: 你好！得知中国也有人喜欢我们的音乐，真是太棒了！这些问题还是交给Fabrício Terribile 来回答吧，毕竟Traqueomalácia是他创立的，乐队的名字也是他起的。

Hello! It's really cool to know that there are people in China who enjoy our music. I'll leave these questions for Fabrício Terribile, since he was the one who founded Traqueomalácia and came up with the band's name.

F: 你好，朋友。首先，感谢你的关注，也感谢你邀请我们参加这次访谈。得知中国有人了解并喜爱我们的音乐，真的非常令人高兴。我们于2017年组建了Traqueomalácia，大家是因为友谊和共同的音乐品味走到了一起。我之所以取名“Traqueomalácia”，是因为这个词很独特，听起来也很好——至少在葡萄牙语里是这样。此外，它也契合了乐队“病理学”这一主题。

Hello, my friend. First of all, I’d like to thank you for your interest and for inviting us to take part in this interview. It’s really cool to know that there’s someone in China who knows and enjoys our music. We formed Traqueomalácia in 2017, brought together by our friendship and shared musical tastes. I came up with the name "Traqueomalácia" because it’s unique and sounds great—at least in Portuguese. Furthermore, it ties into the band’s pathological theme.

V: 今年你们更换了吉他手，因为你们最初的吉他手Jone da Silva在2025年不幸离世了。我想，Jone da Silva的去世对你们来说一定是个沉重的打击。能跟我们聊聊Jone da Silva，以及他离世的原因吗？新吉他手Miguel Antunes是如何加入乐队的？他的加入又为乐队带来了哪些新的变化？

You just changed your guitarist this year because your first guitarist, Jone da Silva, passed away in 2025. I believe Jone da Silva's passing was a huge blow to you. Could you tell us about Jone da Silva and what caused his death? How did the new guitarist, Miguel Antunes, join the band? What new changes has the addition of this member brought to the band?

M: 其实，在Jone \离世后，Léo（Vômito / Imundície）曾接手担任吉他手，他甚至还参与录制了一些尚未发布的作品。后来，Miguel加入了乐队。 Miguel比我们年轻，他为乐队注入了新的活力。他活跃了我们的社交媒体账号，在歌曲创作过程中提出了新想法，还在我们重返舞台的过程中提供了很大帮助。至于Jone的离世，我们实在不知该说什么好。这是一次巨大的损失，直到今天，我们依然非常怀念他。

Well, actually, after losing Jone, Léo (Vômito / Imundície) took over on guitar. He even took part in recording some tracks that haven't been released yet. After that, Miguel joined the band. Miguel is younger than us, and he ended up bringing some fresh energy to the band. He got things moving on our social media, brought new ideas to the songwriting process, and also helped a lot with our return to the stage. As for Jone's death, it's difficult to say much. It was a huge loss, and we still miss him to this day.

F: 是的，很遗憾，我们的朋友、也是乐队最初的吉他手Jone的离世，对我们来说是一个巨大的损失。这太突然了，我们非常想念他。出于对这位挚友的尊重，我们不便透露他离世的具体细节。Miguel曾给予我们很大帮助，甚至还参与了我们最新专辑"Perfurações Necropsicas Ilógicas"中部分内容的录制，但遗憾的是，他最终没能留在乐队。目前，我们正在考虑以双人组合的形式继续前行。

Yes, unfortunately, the passing of our friend and original guitarist, Jone, was a great loss for us. It came as a surprise, and we miss him dearly. Out of respect for our dear friend Jone, we prefer not to comment on the details of his passing. Miguel helped us out significantly for a while and even recorded some parts for our latest album, "Perfurações Necropsicas Ilógicas," but, unfortunately, he did not remain with the band. Currently, we are considering the possibility of continuing as a duo.

V: 我是你们的乐迷，从你们2018年发行首张专辑起就开始关注你们了。你们每一张专辑的录音质量都非常出色，至少在“碾核”这一流派中是这样。请问你们是在哪家录音室录制的专辑？由哪位制作人负责制作？

I'm a fan of yours. I've been following your band since your first album in 2018. The recording quality of each of your albums is quite outstanding, at least within the Grindcore genre. Which studio did you record your albums in? Which producer produced your albums?

M: "Anthology of Abnormal Cadaverous Degradation"是在Hurricane Studio录制的，由 Sebastian Carsin担任制作人。

Anthology of Abnormal Cadaverous Degradation was recorded at Hurricane Studio and produced by Sebastian Carsin.

F: 在录制了最初的作品后，我们觉得去专业的录音室录音会更好——后来我们发现了 Hurricane Studio，它由我们的朋友兼制作人Sebastian Carsin经营。从我们的Demo/CD-R作品"Immersed in Ravenous Autolysis"开始，我们就一直与Sebastian合作录音；在最新专辑"Perfurações Necropsicas Ilógicas"中，大部分吉他部分的录制工作也都是由他负责完成的。

After recording our initial material, we felt it would be a good idea to record in a professional studio—which is exactly what we did once we discovered Hurricane Studio, run by our friend and producer Sebastian Carsin. Ever since our demo/CD-R "Immersed in Ravenous Autolysis," we have been recording with Sebastian; he also handled the guitar tracking for the majority of "Perfurações Necropsicas Ilógicas."

V: 能请你们谈谈创作过程吗？

Could you please describe your creative process?

M: 我们的歌曲创作过程很简单。我们只是尝试演奏自己喜欢听的音乐，并借鉴那些我们所推崇的乐队——比如MALIGNANT TUMOUR、REGURGITATE、HYPEREMESIS、AUTOPHAGIA、ROTTING FLESH和FECULENT GORETOMB。

Our songwriting process is pretty simple. We just try to play the kind of music we enjoy listening to, following the influence of bands we admire, such as MALIGNANT TUMOUR, REGURGITATE, HYPEREMESIS, AUTOPHAGIA, ROTTING FLESH, and FECULENT GORETOMB.

F: 在创作时，我们会选定一支参考乐队，然后融入我们自己的特色和演奏风格，从而打造出属于我们独有的声音。

For our compositions, we choose a reference band, then incorporate our own characteristics and playing style to make the sound truly our own.

V: 你们的音乐主题涉及“血腥”与“病理”，这在碾核音乐中很常见。为什么选择这个主题？你们想通过音乐表达什么？

Your music theme is about Gore and Pathology, which is a common theme in Grindcore music. Why did you choose this theme? What do you want to express through this music?

M: 毕竟我们是一支“血腥碾核”乐队，这是该风格的一部分。我们常听的乐队里一直都有这些主题，而且我和 Fabrício 本身也对此很感兴趣。我们没想太多，只是单纯喜欢探讨这些内容，并以我们认为最酷的方式将其呈现出来。

Well, we're a Goregrind band, so that's part of the style. These themes have always been present in the bands we listen to, and they're also something that Fabrício and I enjoy. We don't really overthink it. We simply like talking about these things and do it in whatever way we think is coolest.

F: 我们的题材确实与病理学相关。选择这个方向是因为我们喜欢该流派中的许多乐队，例如 Feculent Goretomb、Rotting Flesh、Neoplasm Disseminator、Regurgitate、Autophagia、Pulmonary Fibrosis、Hyperemesis等等。我们通过一种对疾病、尸体腐烂过程以及死亡（这是人生中唯一的确定性）的病态迷恋，来展现人体的脆弱。

Our subject matter is genuinely pathological. We chose this direction because we enjoy bands within the genre, such as Feculent Goretomb, Rotting Flesh, Neoplasm Disseminator, Regurgitate, Autophagia, Pulmonary Fibrosis, Hyperemesis, etc. We express the fragility of the human body through a morbid fascination with disease, the process of decomposition, and death—the only certainty in this life.

V: 你们的乐队标志设计得很棒，是谁设计的？说实话，我觉得这个标志更偏向“残酷死亡金属”的风格。你们的专辑封面用的是真实照片，这些封面设计出自谁之手？

Your logo design is beautiful. Who designed this logo for you? Actually, I think this logo is more in line with the Brutal Death Metal style. Your album artwork uses real physical photos. Who designed these album artworks for you?

M: 我们的标志是由Valdecir设计的。"Anthology of Abnormal Cadaverous Degradation"这张专辑的封面则是我们的墨西哥朋友Jhon设计的。至于使用真实照片，我们确实曾用过一段时间，但现在我们更多是将这类照片放在内页里。在封面设计上，我们更倾向于使用插画，就像我们在上一张专辑中所做的那样。我们认为这样看起来更具匠心。

Our logo was designed by Valdecir. The artwork for Anthology of Abnormal Cadaverous Degradation was done by our friend Jhon, from Mexico. As for using real photographs, we did that for a while, but nowadays we mostly save them for the inserts. For the covers, we prefer illustrations, like we did on our latest album. We think they look more carefully crafted that way.

F: 没错，我们的标志是由杰出的巴西艺术家Valdecir da Silva设计的。我们最新的专辑"Perfurações Necropsicas Ilógicas"的封面，则是由我们的好友Robert Palhano（乐队 Vômito的鼓手）设计的。

Yes, the logo was created by the great Brazilian artist Valdecir da Silva. Our latest album, titled "Perfurações Necropsicas Ilógicas," features cover art designed by our good friend Robert Palhano (drummer for Vômito).

V: 你们与Virus Productions和Old Grindered Days Records合作发行了这张专辑。这两家厂牌在你们国家都非常出色。我对Old Grindered Days Records比较了解，但对Virus Productions 却不太熟悉。能向我介绍一下这家厂牌吗？

You collaborated with Virus Productions and Old Grindered Days Records to release the album. These are both excellent labels in your country. I am familiar with Old Grindered Days Records, but I am not so familiar with Virus Productions. Could you introduce this label to me?

M: 这个问题还是交给Fabrício来回答吧，因为这家厂牌就是他创办的，他能给你更详尽的介绍。

I'll leave this question for Fabrício to answer, since he owns the label and can give you a much better explanation.

F: 创办Virus Productions的初衷，是我希望通过发行我朋友所在乐队的作品——同时也是我个人非常欣赏的音乐——来参与到地下音乐圈中。2012年，我发行了首批CD，其中最值得一提的是一张由Pulmonary Fibrosis、Hyperemesis和Hipermenorrea共同参与的三方合辑。在陆续发行了一些磁带和CD-R作品后，2013年我推出了首张7英寸黑胶唱片：一张由Expurgo和 Syphilitic Abortion参与的合辑。此后，我又陆续发行了几张 7 英寸黑胶唱片，包括 Pancreatite Necro Hemorrágica与M.D.K.、Subcut与Deranged Insane、2 Minuta Dreka与 Extreme Smoke 57，以及Agathocles与Academic Worms等乐队的合辑。 2015年，我发行了一张由Hyperemesis和Grotesque Organ Defilement参与的7英寸合辑，该唱片在加拿大制作。2020年底，我独立发行了我们的首张全长专辑"Anthology of Abnormal Cadaverous Degradation"（CD介质，限量300张，现已售罄）。最近，在2026年，我与Rotten Foetus Recs厂牌合作，发行了一张由Imundície和Organic Brain Disorder参与的 7 英寸合辑。

Virus Productions was born out of my desire to participate in the underground scene by releasing material from bands that are friends of mine and whose music I enjoy. In 2012, I released my first CDs—most notably a 3-way split featuring Pulmonary Fibrosis, Hyperemesis, and Hipermenorrea. After putting out various releases on tape and CD-R, 2013 saw my first 7" vinyl release: a split between Expurgo and Syphilitic Abortion. This was followed by several other 7" records, including splits by Pancreatite Necro Hemorrágica/M.D.K., Subcut/Deranged Insane, 2 Minuta Dreka/Extreme Smoke 57, and Agathocles/Academic Worms, among others. In 2015, I released a 7" split featuring Hyperemesis and Grotesque Organ Defilement, which was produced in Canada. At the end of 2020, I independently released our first full-length album, "Anthology of Abnormal Cadaverous Degradation," on CD (a run of 300 copies, which has since sold out). Most recently, in 2026, I put out a 7" split between Imundície and Organic Brain Disorder, in partnership with Rotten Foetus Recs.

V: 我可以用“血腥”和“残暴”这两个词来概括你们乐队的作品。你们以最简单直接的方式，创作出一系列血腥且病态的歌曲。你们的专辑非常注重氛围营造，通过运用一些令人毛骨悚然的音效，构建出作品特有的氛围。乐队只有一把吉他，编曲也并不复杂，但恰恰是这种简约的编曲，反而让作品显得愈发病态。不过，由于乐队没有贝斯，听感上会显得有些单薄。鼓手快速而混乱的敲击进一步强化了“碾核”的质感，而主唱的演绎则宛如丧尸一般。总而言之，无论从哪个角度来看，你们的作品都极度病态且血腥。你们自己是如何看待这些作品的呢？

I can sum up your band's work entirely with words like bloody and brutal. You create a series of bloody and morbid songs in the simplest way possible. Your albums are also very particular about the atmosphere, using some terrifying sound effects to create the atmosphere of your work. You only have one guitar, and you don't use very complicated arrangements, but it is precisely this simple arrangement that makes your work even more morbid. However, your band doesn't have a bass, which makes your work sound a bit thin. The drummer's fast and chaotic percussion further reflects the Grindcore feel, and the singer's singing is like that of a zombie. In short, from any angle, your work is the most morbid and bloody. What are your thoughts on your own work?

M: 我们喜欢创作那种不带任何多余修饰的音乐：快速、直接、直击要点。至于歌曲的开场，我们会选择与每首歌背后的主题和构思相契合的采样。

We like making music without any unnecessary frills: fast, straightforward, and to the point. For the intros, we choose samples that fit the themes and ideas behind each song.

F: 对我们音乐风格的描述很到位——我喜欢。我们的音乐路径从早期的“噪音核”和“噪音碾核”演变到了如今的“碾核”，且始终围绕着病态主题展开。我们追求直接而犀利的听感。对于我们第二张专辑所呈现出的音效，我们感到非常满意——该专辑最近已由Rotten Foetus Recs 厂牌发行。

Nice description of our sound—I like it. Our musical approach has evolved from noisecore and noisegrind to what is now grindcore. It always centers on pathological themes. We prefer our sound to be direct and incisive. We are very satisfied with the sound we achieved on our second album, which was recently released by Rotten Foetus Recs.

V: 作为一个有着9年历史的乐队，你们参与过哪些现场演出？其中哪些演出给你们留下了深刻印象？能否描述一下当时现场的氛围？2026年你们有什么新的演出计划吗？

As a band with a 9-year history, what live performances have you participated in? Which live performances left a deep impression on you? Can you describe the atmosphere at those performances? What new live performances do you have planned for 2026?

M: Traqueomalácia 迄今为止只进行过三场现场演出：

●CACOPHONIC AUDIO SECRETION —— 具体哪一年记不清了，哈哈。

●NOISEGRINDCRUST FESTIVAL —— 2021年。

●TRACHEAL BREATH SOUNDS 1 —— 2025年。

给我留下最深印象的是在Noisegrindcrust Festival的那场演出，主要是因为那是我第一次登台。至于现场氛围，我们一直将其视为与观众之间的一种能量交换。没有多余的废话：只有噪音、速度、混乱，以及来自台下观众的回应。这种互动始终是我们演出的重要组成部分。目前，我们暂时没有重返舞台的计划。Traqueomalácia仍处于“腐烂”状态——等待着未来某天可能被“掘出”。

Traqueomalácia has only played three live shows so far:

●CACOPHONIC AUDIO SECRETION — can't remember the year hahaha.

●NOISEGRINDCRUST FESTIVAL — 2021.

●TRACHEAL BREATH SOUNDS 1 — 2025.

The performance that left the biggest impression on me was at Noisegrindcrust Festival, mainly because it was the first time I had ever stepped on stage. As for the atmosphere at our shows, we always see them as an exchange of energy with the crowd. There's no unnecessary bullshit: noise, speed, chaos, and the response from the people on the other side. That interaction has always been an important part of our performances. For now, we have no plans to return to the stage anytime soon. Traqueomalácia remains in a state of decomposition — awaiting possible exhumation.

F: 我们的主要目标是进行录音，并以实体介质发布作品。虽然偶尔也会进行现场演出，但这并非我们的首要任务。

Our primary goal is to make recordings and release our material in physical format. We do play live occasionally, but it is not our priority.

V: 你们乐队自2022年以来就没有发布过新音乐了。造成这段长期停滞的原因是什么？2026年你们有什么新的计划吗？

Your band hasn't released any new music since 2022. What's the reason for this long hiatus? What new projects does your band have planned for 2026?

M: 自2022年起，随着之前提到的Jone的离世，我们很难维持正常的排练和录音进度。Léo接手了吉他部分，但他住在离我们很远的城市，这让实际操作变得更加复杂。我们和他录制了一些尚未发布的作品。 2026年，在Miguel和Seba的帮助下，我们成功发行了第二张全长专辑"Perfurações Necropsicas Ilógicas"。那段时间我们非常沉寂，但在条件允许的情况下，我们还是尽力让Traqueomalácia这个乐队延续了下来。

Since 2022, following Jone's passing, which I mentioned earlier, we've had quite a hard time maintaining a regular rehearsal and recording schedule. Léo took over on guitar, but he lives in a city far from ours, which made the logistics even more complicated. We have some material recorded with him that hasn't been released yet. In 2026, with the help of Miguel and Seba, we managed to release our second full-length album, Perfurações Necropsicas Ilógicas. It was a period of very little activity, but we've kept Traqueomalácia alive as much as circumstances allowed.

F: 我们计划发行之前与朋友Léo Manhães（来自Vômito/Imundície乐队）共同录制的作品。其中包含6首此前从未发布过的曲目，它们风格独特，但依然契合我们以“病理”为主题的碾核音乐路线。我预计这些作品将于2027年以“合辑”的形式发行。

We have plans to release the recording we made with our friend Léo Manhães (Vômito/Imundície). It consists of 6 previously unreleased tracks that follow a unique direction, while still fitting within our approach of playing grindcore with pathological themes. I believe this material will be released as a split in 2027.

V: 你们是一支非常出色的地下乐队，我会继续关注并支持你们。也希望通过这次访谈，能让更多的中国乐迷关注并支持你们。访谈即将结束，你们有什么想对中国乐迷说的吗？

You are an excellent underground band. I will continue to follow and support you. I also hope that through this interview, more Chinese fans will pay attention to and support you. The interview is about to end. Is there anything you would like to say to your Chinese fans?

M: 向中国所有收听Traqueomalácia的朋友们致以问候！得知我们的音乐能传到那么遥远的中国，真的让我们感到非常有意义。感谢大家的聆听与支持。我们的新全长专辑"Perfurações Necropsicas Ilógicas"现已发布。

干杯！

A big shout-out to everyone in China who listens to Traqueomalácia. It's really rewarding to know that our music has reached you, so far away from us. Thanks for listening and supporting us. Our new full-length album, Perfurações Necropsicas Ilógicas, is already available.

Cheers!

F: 非常感谢这次访谈机会；能让中国的听众接触到我们的音乐，这对我们来说太棒了。祝大家身体健康，享受“病理”风格的Grindcore，愿大家平安。

Thank you very much for this interview opportunity; reaching an audience in China will be amazing for us. I wish everyone good health, pathological grindcore, and peace.