今天采访到的是Melkor组建的Erzsebet Nadasdy乐队，组建于2009年的Erzsebet Nadasdy乐队最初是想和来自葡萄牙Death/Black/Thrash Metal乐队Martelo Negro成员Simão Santos创建的一支Old School Black Metal风格的乐队，但是由于双方时间上的问题，最终被搁置多年，直到2024年Melkor重新启动这支乐队并且由早期的Old School Black Meatl风格改变成为，带有浓重旋律色彩的Melodic Black Metal风格，Melkor重新录制了所有的作品，最终在2024年发行了第一张正式专辑“Bloodbound Desires”，冰冷，无情的氛围迎面而来，冷酷无情的旋律，带有一丝丝沮丧的情感，给人一种不安的感觉，在新专辑发行之际乐队的创始人Melkor也再次和杂志和取得联系进行了一次专访！
（V: 代表笔者 M: 代表Melkor）
Today's interview was with Erzsebet Nadasty, a band formed by Melkor. Erzsebet Nadasty, formed in 2009, initially intended to create an Old School Black Metal style band with Sim ã o Santos, a member of Martelo Negro, a Portuguese Death/Black/Thrash Metal band. However, due to time constraints between the two parties, the band was eventually shelved for many years until Melkor restarted the band in 2024 and changed from the early Old School Black Meatl style to a Melodic Black Metal style with strong melodic colors, Melkor re recorded all of their works and ultimately released their first official album "Bloodbound Desires" in 2024. The cold and ruthless atmosphere greeted them with a cold and ruthless melody, carrying a hint of frustration and giving off a sense of unease. On the occasion of the release of the new album, the band's founder Melkor also contacted the magazine and conducted an exclusive interview!
(V: represents author M: represents Melkor)
采访对象：Melkor（Erzsebet Nadasdy乐队创始人）
采访时间：2025.03.25
V: 你好Melkor先生今天我要采访你参与组建的Erzsebet Nadasdy乐队。这支乐队是在哪一年成立的，你是如何组建的？这个名字有什么意义吗？
Hello Mr. Melkor, today I am going to interview the Erzsebet Nadasdy band that you participated in forming. In which year was this band formed and how did you form it? Does this name have any meaning?
M: Erzsébet Nadasdy最初成立于2009年。当时我的想法是与Martelo Negro的乐队成员Simão Santos一起创作一个原始而Old School Black Metal项目。我们都深受早期Black Metal的黑暗和冷酷本质的启发，我们想将这种能量转化为一些原始的、发自内心的、不妥协的东西。然而由于双方时间不足，该项目最终被搁置多年。最初的录音只是坐在那里，积满了灰尘，直到2024年，我终于决定再次拿起它。这一次我从头开始重新录制了所有东西，吉他、贝斯和人声，亲自处理整个制作、混音和母带制作过程。感觉终于到了以我一直设想的方式将这个项目变为现实的时候了。Erzsébet Nadasdy这个名字具有重要意义。它的灵感来自伊丽莎白·巴托里伯爵夫人的传奇人物，她在历史和民间传说中以黑暗和残酷的声誉而闻名。通过使用她不太为人所知的已婚名字Nadasdy，我想唤起人们对历史叙事的更深层次、更个人化的联系，不仅仅是关于血缘的传说，还有关于权力、痴迷和衰落的悲剧和复杂的故事。它完美地契合了我们希望用音乐创造的阴郁氛围。
Erzsébet Nadasdy was originally formed back in 2009. At that time, the idea was to create a raw and old-school black metal project with my bandmate from Martelo Negro, Simão Santos. We were both deeply inspired by the dark and grim essence of early black metal, and we wanted to channel that energy into something raw, visceral, and uncompromising. However, due to the lack of time on both sides, the project ended up being shelved for many years. The initial recordings just sat there, gathering dust, until 2024, when I finally decided to pick it up again. This time, I re-recorded everything from scratch, guitars, bass, and vocals, handling the entire production, mixing, and mastering process myself. It felt like it was finally time to bring this project to life in the way I had always envisioned. The name Erzsébet Nadasdy holds significant meaning. It is inspired by the legendary figure of Countess Elizabeth Báthory, known for her dark and brutal reputation in history and folklore. By using her lesser-known married name, Nadasdy, I wanted to evoke a deeper, more personal connection to the historical narrative, not just the legend of blood, but the tragic and complex tale of power, obsession, and downfall. It perfectly fits the grim and dark atmosphere we aim to create with our music.
V: 这个乐队仍然完全由你控制，完全由你自己主导。你能介绍一下你的创作过程吗？
This band is still controlled solely by you, completely dominated by yourself. Can you introduce your creative process?
M: 是的，Erzsébet Nadasdy现在完全是我的创作。2024年当我决定重启这个项目时，我完全控制了从构图和乐器到制作、混音和母带制作的各个方面。这是一个非常个人化的过程，我试图捕捉一种原始的黑暗氛围，既反映了历史叙事，也反映了其背后的残酷情感。我的创作过程通常从即兴重复段开始。我专注于冷酷、激进的吉他作品，将Old School Black Metal精髓变为现实。一旦结构到位，我就会添加令人难忘的键盘旋律，营造出一种怪异、忧郁的氛围，仿佛音乐本身就是在讲述一个浸透着鲜血和绝望的故事。这些旋律对于唤起我希望听众体验到的黑暗、压抑的情绪至关重要。在完成乐器演奏后，我开始做声乐。歌词探索了痴迷、暴力和人性中最黑暗的角落的主题，灵感来自于围绕巴托里伯爵夫人的血腥传说。我的目标是诗意但有影响力的措辞，每一句话都像匕首，留下持久的印记。一旦人声结束，我就自己处理混音和掌握，确保最终的声音既原始又有力，忠实于Old School Black Metal精神。最后，Erzsébet Nadasdy将原始的情感、愤怒、绝望和痴迷融入音乐中。这不是关于完美；这关乎强度、氛围和真实性。
Yes, Erzsébet Nadasdy is entirely my creation now. When I decided to revive the project in 2024, I took full control over every aspect, from composition and instrumentation to production, mixing, and mastering. It's a deeply personal process, where I try to capture a raw, dark atmosphere that reflects both the historical narrative and the grim emotions behind it. My creative process usually starts with the riffs. I focus on cold, aggressive guitar work that brings that old-school black metal essence to life. Once the structure is in place, I add haunting keyboard melodies to create an eerie, melancholic atmosphere, as if the music itself is telling a story soaked in blood and despair. These melodies are crucial to evoke the dark, oppressive mood I want the listener to experience. After finalizing the instrumentals, I work on the vocals. The lyrics explore themes of obsession, violence, and the darkest corners of human nature, inspired by the blood-soaked legends surrounding Countess Bathory. I aim for poetic but impactful phrasing, where every line feels like a dagger, leaving a lasting mark. Once the vocals are done, I handle the mixing and mastering myself, ensuring the final sound is raw yet powerful, staying true to the old-school black metal spirit. In the end, Erzsébet Nadasdy is about channeling raw emotion, rage, despair, and obsession, into the music. It’s not about perfection; it’s about intensity, atmosphere, and authenticity.
V: 这张专辑还是你自己录制的。你能介绍一下录音过程吗？
This album was still recorded by yourself. Can you introduce the recording process?
M: 这张专辑的录制过程非常简单明了。我已经有了原版的鼓声，所以我决定保留它们。然而，我用一个更好的音频接口和一把合适的、调音良好的吉他重新录制了所有的吉他。仅这一点就对整体声音产生了巨大的影响，使其更加清晰和厚重，同时保持了原始的老派黑色金属感。对于键盘，我使用了我的MIDI钢琴，仔细选择声音以适应我想要创造的黑暗、令人难忘的氛围。我花了很多时间尝试不同的音调，然后才确定什么是正确的。这些旋律在营造怪诞、压抑的气氛中起着至关重要的作用，这种气氛反映了专辑中浸透鲜血的主题。一旦乐器准备好了，我就专注于人声。对我来说很重要的是，这个声音既带有侵略性，又带有痛苦感，就好像歌词是在纯粹的愤怒中吐出来的。我在家里的工作室Studios13录制了所有内容，在那里我可以慢慢来，真正捕捉到我想要的原始能量。混音和母带制作是最后的步骤。我想保持声音粗糙但有力，确保没有什么感觉过度生产。这个想法是创造一种身临其境的体验，感觉就像把你拖入了Erzsébet Nadasdy的黑暗世界。最后，这一切都是为了用我今天拥有的工具和技能将这些旧想法变回现实，让这张专辑听起来像我最初设想的那样。
The recording process for this album was quite simple and straightforward. I already had the drum tracks from the original sessions, so I decided to keep them. However, I re-recorded all the guitars using a better audio interface and a proper, well-tuned guitar. This alone made a huge difference in the overall sound, giving it more clarity and weight while maintaining that raw, old-school black metal feeling. For the keyboards, I used my MIDI piano, carefully selecting the sounds to fit the dark, haunting atmosphere I wanted to create. I spent a good amount of time experimenting with different tones before settling on what felt right. These melodies play a crucial role in setting the eerie, oppressive mood that reflects the blood-soaked themes of the album. Once the instrumentals were ready, I focused on the vocals. It was important to me that the voice carried both aggression and a sense of anguish, as if the lyrics were being spat out in pure rage. I recorded everything at my home studio, Studios13, where I could take my time and really capture the raw energy I was looking for. Mixing and mastering were the final steps. I wanted to keep the sound rough but powerful, ensuring that nothing felt overproduced. The idea was to create an immersive experience, something that feels like it drags you into the dark world of Erzsébet Nadasdy. In the end, it was all about bringing these old ideas back to life with the tools and skills I have today, making the album sound the way I originally envisioned.
V: 这个乐队的Logo设计非常独特，简约中透露着复杂。这个Logo是你自己设计的吗？你的专辑艺术设计也很独特。这件艺术品的意义是什么？
The logo design of this band is very unique, simple yet revealing responsibility. Did you design this logo yourself? Your album art design is also very unique. What is the meaning of this artwork?
M: 该Logo最初是在2009年使用古英语字体创建的，非常适合这种原始、冷酷和传统的音乐风格。我想要一些简单而有影响力的东西，带着一种永恒的感觉，反映出该项目的黑暗历史主题。即使过了这么多年，我也没有理由改变它。它承载着音乐和概念本身的重量和责任。至于专辑封面，它深受伯爵夫人的性格和她的黑暗传说的启发。深红色和黑色色调的主要使用代表了她故事中压倒性的血液和死亡。我希望封面能给人一种发自内心的感觉，仿佛被她以恐怖而闻名。阴影和深红色色调之间的对比反映了美丽和残酷的双重性，高贵的优雅与她被指控的罪行的野蛮相冲突。封面上的每一个元素都让听众沉浸在这种恐怖的氛围中。这不仅仅是视觉上的；这是音乐的延伸，旨在在听到第一个音符之前唤起情感。
The logo was originally created back in 2009 using an Old English font that perfectly fits this style of music, raw, cold, and traditional. I wanted something simple yet impactful, carrying a sense of timelessness that reflects the dark historical themes of the project. Even after all these years, I saw no reason to change it. It holds the weight and responsibility of the music and the concept itself. As for the album artwork, it is heavily inspired by the character of the Countess and her dark legend. The predominant use of deep red and black tones represents the overwhelming presence of blood and death in her story. I wanted the cover to feel visceral, almost as if drenched in the horrors she is known for. The contrast between shadows and crimson hues reflects the duality of beauty and brutality, the elegance of nobility clashing with the savagery of her alleged crimes. Every element on the cover is there to immerse the listener in this macabre atmosphere. It’s not just a visual; it’s an extension of the music, designed to evoke emotion before the first note is even heard.
V: 这个乐队仍然以你自己的品牌发行，你拥有所有专辑的发行权。你有没有考虑过联系其他唱片公司发行实体专辑版本？
This band is still released under your own label, and you have the right to release all albums. Have you considered contacting other labels to release physical album versions?
M: 是的，Erzsébet Nadasdy是以我自己的品牌Supergoat Wreck Whordes/Studios13发行的，这让我对发行的各个方面都有充分的创意控制，从作曲和录音到混音、母带制作和推广。独立发布它让我能够保持我设想的原始和真实的声音，没有任何外部限制。这张专辑还附有一本独家电子书，里面充满了启发歌词的黑暗故事。它深入探讨了每首歌背后的传说和恐怖氛围，为听众提供了更丰富、更身临其境的体验。任何在Bandcamp上购买这张专辑的人都会收到一本英文和葡萄牙文的电子书。这是我想让这张专辑更特别的东西，让粉丝有机会探索音乐本身之外的概念和叙事。我考虑过与其他唱片公司合作发行实体版，因为我相信这张专辑应该有一个有形的格式，粉丝们可以持有的东西，艺术品和歌词可以增加整体体验。然而，这不仅仅是打印CD或黑胶唱片；这是关于找到真正理解项目本质的正确标签。目前，我专注于建立一个更强大的粉丝群，时机成熟时，我一定会探索实体发行或限量版印刷。
Yes, Erzsébet Nadasdy was released under my own label, Supergoat Wreck-Whordes / Studios13, giving me full creative control over every aspect of the release, from composition and recording to mixing, mastering, and promotion. Releasing it independently allowed me to keep the raw and authentic sound I envisioned without any external constraints. This album is also accompanied by an exclusive ebook filled with dark stories that inspired the lyrics. It delves deeper into the lore and the macabre atmosphere behind each song, offering listeners a richer and more immersive experience. Anyone who purchases the album on Bandcamp receives a copy of the ebook in both English and Portuguese. It’s something I wanted to include to make the album more special, giving fans the opportunity to explore the concepts and narratives beyond the music itself. I have considered working with other labels to release a physical version, as I believe this album deserves a tangible format, something fans can hold, with the artwork and lyrics adding to the overall experience. However, it's not just about printing CDs or vinyl; it's about finding the right label that truly understands the essence of the project. For now, I’m focused on building a stronger fanbase, and when the time is right, I’ll definitely explore physical releases or limited-edition pressings.
V: 这个乐队的音乐主题是什么？你为什么选择这个音乐主题？你想通过这个音乐主题来表达自己吗？你还创建了歌词部分。是什么启发了这些歌词？我一直很好奇你的歌词是用英语还是西班牙语写的？
What is the music theme of this band about? Why did you choose this music theme? Do you want to express yourself through this music theme? You also created the lyrics section. What inspired these lyrics? I have always been curious whether your lyrics are written in English or Spanish?
M: Erzsébet Nadasdy的主题围绕着臭名昭著的伊丽莎白·巴托里伯爵夫人的黑暗、悲惨和神秘的生活展开。她的故事充满了鲜血、不朽和超凡痴迷的传说，是乐队整个概念的基础。音乐探索了她生活的复杂性、痛苦、对青春和美丽的痴迷，以及与她的传说相关的可怕仪式。这不仅仅是为了赞美她的行为，更是为了深入探究一个被黑暗欲望吞噬的人的思想以及这些行为的后果。我选择这个主题是因为我发现伊丽莎白·巴托里的故事非常引人入胜。她的故事代表了痴迷和虚荣的破坏力，它与探索怪诞和悲剧的黑色金属美学完美地交织在一起。通过这个项目，我想表达人类心理的黑暗面，我们许多人隐藏的阴暗的欲望和恐惧。将这些情绪倾注到像Erzsébet Nadasdy这样的项目中感觉很自然，在那里我可以真正探索恐怖。歌词是这个项目不可或缺的一部分，我觉得它们非常有意义。它们不仅讲述了巴托里的生活，还触及了痛苦、内疚以及对美和力量的扭曲感知等主题。灵感来自历史记载、神话和我在研究她的生活时感受到的情感，以及我想通过音乐本身传达的情感。至于歌词的语言，我主要用英语写，因为它可以更广泛地接触到国际观众，但当我觉得一个特定的短语或情感在我的母语中流动得更好时，我也会用葡萄牙语写。对于Erzsébet Nadasdy来说，我希望歌词感觉原始而真实，所以这真的取决于歌曲的情绪。这与其说是在语言之间做出选择，不如说是选择哪种语言最能捕捉到我想要传达的感觉。
The theme of Erzsébet Nadasdy revolves around the dark, tragic, and mysterious life of the infamous Countess Elizabeth Bathory. Her story, steeped in legends of blood, immortality, and unearthly obsession, serves as the foundation for the band's entire concept. The music explores the complexities of her life, the pain, the obsession with youth and beauty, and the horrifying rituals associated with her legend. It’s not just about glorifying her actions, but more about delving into the mind of a person consumed by dark desires and the consequences of those actions. I chose this theme because I find the tale of Elizabeth Bathory incredibly fascinating. Her story represents the destructive power of obsession and vanity, and it intertwines perfectly with the black metal aesthetic of exploring the grotesque and the tragic. Through this project, I wanted to express the darker aspects of the human psyche, the shadowy desires and fears that many of us keep hidden. It felt natural to pour those emotions into a project like Erzsébet Nadasdy, where I could really explore the macabre. The lyrics are an integral part of this project, and I find them incredibly meaningful. They aren’t just about Bathory’s life, but they also touch on themes of suffering, guilt, and a distorted perception of beauty and power. Inspiration came from historical accounts, mythology, and the emotions I felt while researching her life, as well as the emotions I wanted to convey through the music itself. As for the language of the lyrics, I primarily write them in English, as it allows for a broader reach to an international audience, but I also write in Portuguese when I feel that a particular phrase or emotion flows better in my native language. For Erzsébet Nadasdy, I wanted the lyrics to feel raw and authentic, so it really depends on the mood of the song. It’s not so much about choosing between languages, but about choosing which one best captures the feeling I want to convey.
V: 首先祝贺你2024年发行首张官方专辑"Bloodbound Desires"。这是一种悠扬忧郁的气氛，你的每一首歌都编排得很好。可以看出你为这张专辑付出了很多努力。你对这张专辑有什么个人看法吗？
First of all, congratulations on the release of your first official album "Bloodbound Desires" in 2024. It is a melodious and melancholic atmosphere, and each of your songs is very well arranged. It can be seen that you have put a lot of effort into this album. Do you have any personal opinions on this album?
M: 谢谢你的祝贺！"Bloodbound Desires"对我来说非常特别，我很高兴我为之付出的努力是显而易见的。这张专辑是伊丽莎白·巴托里悲惨而黑暗的历史之旅，我想确保音乐传达了正确的情感和氛围。是的，这很忧郁，但也很强烈，令人难忘，这种感觉在听完后挥之不去。就我个人而言，我为结果感到自豪。这是一张非常私人的专辑，在这张专辑中我能够探索自己创造力的更深层次，尤其是旋律的组成和音乐从一首歌到另一首歌的流动方式。我花了很多时间微调编曲，尤其是键盘和吉他的编排，以创造出令人难忘但优美的声音。我希望它在某种程度上具有电影感，就像巴托里自己的悲剧故事的配乐。在这张专辑的创作过程中，有一些时刻我感觉自己仿佛真的走进了她的世界和情感，仿佛在引导她的能量。这很激烈，但也让我感到宣泄。将忧郁与强大的、近乎仪式化的元素融合在一起的过程帮助我表达了她故事的复杂性。每首歌都告诉了不同的篇章，但它们都与痴迷、内疚和放纵的后果这一中心主题联系在一起。我对它如何反映伯爵夫人的历史和我自己的音乐愿景感到满意，看到其他人也与它联系在一起，真的很有收获。这张专辑有点像一面黑暗的镜子，反映了人性中难以面对的一部分，但我认为这就是它产生共鸣的原因。
Thank you for the congratulations! Bloodbound Desires is very special to me, and I’m glad that the effort I put into it is noticeable. This album is a journey through the tragic and dark history of Elizabeth Bathory, and I wanted to make sure the music conveyed the right emotions and atmosphere. It’s melancholic, yes, but also intense and haunting, the kind of feeling that lingers after listening. Personally, I’m proud of how it turned out. It’s a very personal album, one where I was able to explore a deeper side of my creativity, especially with the composition of melodies and the way the music flows from one song to the next. I spent a lot of time fine-tuning the arrangements, especially with the keyboards and guitar work, to create a haunting yet beautiful sound. I wanted it to feel cinematic in a way, like a soundtrack to Bathory's own tragic tale. There were moments during the creation of this album where I felt as though I was actually stepping into her world and emotions, almost as if I was channeling her energy. It was intense, but it also felt cathartic. The process of blending melancholy with powerful, almost ritualistic elements helped me express the complexity of her story. Every song tells a different chapter, but they all tie into the central theme of obsession, guilt, and the consequences of indulgence. I’m satisfied with how it reflects both the history of the Countess and my own musical vision, and it’s been really rewarding to see others connect with it as well. The album is a bit of a dark mirror, reflecting a part of human nature that can be difficult to confront, but I think that’s what makes it resonate.
V: 这张专辑发行后，你有什么新的工作要做吗？例如创作或录制新歌时，你能与每个人分享一些信息吗？
Do you have any new work to do after the release of this album? For example, when creating or recording new songs, can you share some information with everyone?
M: 目前，我还没有任何与Erzsébet Nadasdy合作的计划，因为我目前专注于其他项目。我有很多事情要做，尤其是我的其他乐队和独奏作品。然而我确实在脑海中酝酿了一些想法，我可以看到自己在2026年重返这个项目，但前提是灵感得到了激发。如果我继续使用Erzsébet Nadasdy，我想保持将音乐与电子书融合的概念，为专辑的主题提供更深层次的联系。讲故事的元素真的让我很兴奋，我认为它为音乐增添了独特的维度。同样这一切都取决于我的创造力。不过就目前而言，我专注于眼前的事情并确保其他项目得到应有的关注。但是请放心，如果正确的灵感出现，Erzsébet Nadasdy将再次崛起，讲述更多黑暗的故事。
For now, I don’t have any immediate plans for new work with Erzsébet Nadasdy, as I’m focused on other projects at the moment. I have a lot going on, especially with my other bands and solo work. However, I do have some ideas brewing in the back of my mind, and I could see myself returning to this project in 2026, but only if the inspiration hits. If I do continue with Erzsébet Nadasdy, I’d like to maintain the concept of blending the music with an ebook, offering a deeper connection to the themes of the album. The storytelling element is something that really excites me, and I think it adds a unique dimension to the music. But again, it all depends on the creative energy that comes my way. For now, though, I’m focusing on what’s currently in front of me and making sure the other projects get the attention they deserve. But, rest assured, if the right inspiration strikes, Erzsébet Nadasdy will rise again with more dark stories to tell.
V: Erzsebet Nadasty是一支优秀的乐队，我将永远支持和追随你，我也希望通过这次采访让更多的中国粉丝了解你。最后你有什么想对你的中国粉丝说的吗？
Erzsebet Nadasty is an excellent band, and I will always support and follow you. I also hope to let more Chinese fans get to know you through this interview. Do you have anything you want to say to your Chinese fans?
M: 非常感谢您的支持，我真的很感谢我的中国粉丝花时间听Erzsébet Nadasdy的音乐。你的支持对我来说意味着整个世界，尤其是在我继续这段旅程的时候。我不会撒谎，这并不总是那么容易。有些夜晚，我很难入睡，说实话我一直在依靠药物来休息。从写作到制作再到晋升，独自完成所有事情的压力可能是压倒性的。所以我请求你的帮助，不仅仅是作为粉丝，而是作为一个社区。如果你想看到更多我的音乐，如果你想继续关注Erzsébet Nadasdy和我的其他项目，我比以往任何时候都更需要你的支持。你能提供帮助的最好方式是在Bandcamp上购买我的专辑，这是你支持我的最直接方式。如果你知道任何可能对我的音乐感兴趣的唱片公司或人或者如果你能把我的作品重新定向给那些能帮助我把音乐传播出去的人，我将永远感激不尽。我接触的越多，我就越能继续创作并与大家分享我的作品。这段旅程不能独自完成，你的支持让一切变得不同。所以，请帮助我继续前进。我们可以一起确保这首音乐能传到那些欣赏它的人的耳朵里。真的，谢谢你成为这段旅程的一部分。没有你，我做不到。
Thank you so much for your support, and I’m truly grateful to my Chinese fans for taking the time to listen to Erzsébet Nadasdy and follow my music. Your support means the world to me, especially as I continue on this journey. I won’t lie, it’s not always easy. There are nights where I struggle to find sleep, and honestly, I’ve been relying on medication just to get some rest. The pressure of doing everything on my own, from writing to production to promotion, can be overwhelming. So, I ask for your help, not just as fans, but as a community. If you want to see more music from me, if you want to keep following the journey of Erzsébet Nadasdy and my other projects, I need your support more than ever. The best way you can help is by purchasing my albums on Bandcamp, it’s the most direct way for you to support me. If you know of any labels or people who might be interested in my music, or if you can redirect my work to those who can help me get my music out there, I would be forever grateful. The more exposure I get, the more I can keep creating and sharing my work with all of you. This journey can’t be done alone, and your support makes all the difference. So, please, help me keep pushing forward. Together, we can make sure this music reaches the ears of those who would appreciate it. Thank you, truly, for being part of this journey. I couldn’t do it without you.
Erzsebet Nadasdy乐队主要作品：
Erzsebet Nadasdy - Bloodbound Desires（2024）
Erzsebet Nadasdy乐队官方Bandcamp网站：https://studios13.bandcamp.com/album/bloodbound-desires
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