面对死亡我保持微笑 - 波兰Death Metal / Grindcore乐队F.A.M专访

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组建于2005年的F.A.M乐队，是波兰一支非常有资历的老牌乐队，这支乐队组建比较偶然，最初波兰的另外一支乐队Dissenter正在筹备他们的新专辑，Młody和吉他手创作了一些歌曲，但是他们认为这些并不符合当时Dissenter的风格，于是他们决定组建一支新乐队，于是F.A.M乐队成立了，乐队的名字也是当时Dissenter乐队2005年的专辑名字“Furor Arma Ministrat”而来的，2006年他们发行了第一张EP专辑“Panzergrind”，2007年的第一张专辑“Bullet(in)”，在新加坡的Scrotum Jus Records厂牌发行并且获得巨大好评，但是由于一些原因这家厂牌宣布关门，于是乐队回到本土厂牌2013年在Let It Bleed Records厂牌发行了一张Spilt专辑，随后乐队与Deformeathing Production，Fat Ass Records等波兰厂牌合作发行了专辑，都获得了巨大的成功，今年乐队与波兰本土的著名厂牌Selfmadegod Records合作发行了他们的最新专辑“Pleasure of Torture”，在新专辑发行之际杂志通过Selfmadegod Records厂牌的协助与乐队的创始人之一的鼓手Młody取得联系进行了一次专访！

（V: 代表笔者 M: 代表Młody）

Formed in 2005, F.A.M is a long-standing and highly experienced Polish band. Their inception came about quite by chance: while another Polish band, Dissenter, was preparing a new album, Młody and the guitarist composed several tracks that they felt didn't quite fit the style of Dissenter at the time. Consequently, they decided to form a new group—and thus, F.A.M was born. The name "F.A.M" was derived from *Furor Arma Ministrat*, the title of a 2005 album by Dissenter. In 2006, the band released their debut EP, *Panzergrind*, followed in 2007 by their first full-length album, *Bullet(in)*, which was released via the Singaporean label Scrotum Jus Records to great acclaim. However, the label eventually ceased operations, leading the band to return to their home scene; in 2013, they released a split album through the Polish label Let It Bleed Records. Subsequent releases in collaboration with other Polish labels, such as Deformeathing Production and Fat Ass Records, also proved highly successful. This year, the band has partnered with the prominent Polish label Selfmadegod Records to release their latest album, *Pleasure of Torture*. To mark the release, our magazine—with the assistance of Selfmadegod Records—reached out to Młody, the band’s drummer and one of its founding members, for an exclusive interview.

(V: The Interviewer | M: Młody)

采访对象：Młody（F.A.M乐队鼓手）

采访时间：2026.11.03

V: 你好，Młody！很高兴见到你，也非常感谢你接受这次采访。据我所知，这应该是你们乐队首次接受中国杂志的采访。首先，请向我们在中国的乐迷们打个招呼吧。F.A.M成立于2005年，是一支资历颇深的乐队。当初你们是如何组建这支乐队的？“F.A.M”这个名字有什么特别的含义吗？

Hello Młody, it's a pleasure to meet you and I'm very grateful for your participation in this interview. I think this is your band's first time being interviewed by a Chinese magazine. First of all, please say hello to all our Chinese fans. F.A.M was formed in 2005 and is a long-established band. How did you form this band in the first place? Does the name F.A.M mean anything?

M: 向各位读者问好！能登上中国杂志，我们感到非常荣幸——这确实是我们第一次接受来自中国的采访！乐队的成立其实有点偶然，哈哈。当时我们正在排练，准备Dissenter乐队的一张新专辑，我和当时的吉他手写出了一些曲目，但觉得它们不太符合Dissenter的风格。于是，我们决定开启一个全新的、没什么压力的项目。当时我们正在制作的那张Dissenter专辑名为"Furor Arma Ministat"，乐队的名字正是由此而来 ;)

Hello to all the readers! It’s a real pleasure for us to be featured in a Chinese magazine—this is actually our first-ever interview from China! The band came into existence somewhat by accident, ha ha. During one of our rehearsals—while we were working on material for a new Dissenter album—the guitarist at the time and I ended up with a few tracks that didn’t quite fit that band’s style. We decided to launch a new, low-pressure project. *Furor Arma Ministat* (which translates to "Hatred Arms") was also the title of the Dissenter album we were working on at the time, and that’s where the name came from ;)

V: 如今，你是乐队中唯一的元老成员；其他成员都已更替，尤其是你们在2025年到2026年间引入的三位新成员。最初的成员为何离开？新成员又是如何加入的？你对他们的表现满意吗？他们为乐队带来了哪些新的变化？

Now you're the only original member left in the band; all the other members have been replaced, especially the three new members you brought in between 2025 and 2026. Why did the first-generation members leave the band? How did the new members join? Are you satisfied with their work? What new changes have they brought to the band?

M: 没错，我是最初阵容中唯一留下来的人。在乐队发展的过程中，经历过不少贝斯手、主唱和吉他手的更迭。成员变动的原因各不相同——从身心俱疲、缺乏时间或投入意愿、对乐队的发展失去兴趣，到纯粹的懒惰（笑）……每一次成员更迭总能带来一股全新的活力……2026年，乐队又经历了一些变动，目前的阵容如下：Jakub（主唱——同时也是Necrocranium和 Imperial Execration的成员）、Patryk（贝斯——同时也是Deadpoint的成员）、Łukasz（吉他——同时也是Cry of the Nile的成员），以及 Darek Młody（鼓——同时也是Squash Bowels、Magnus、Stillborn等乐队的成员……）。

Yes, I am the only member from the original lineup. Over the course of the band's existence, several bassists, vocalists, and guitarists have come and gone. The reasons for these lineup changes varied—ranging from burnout, a lack of time or commitment, and a loss of interest in the band's development, to plain old laziness ;) Every change in the lineup always brings a fresh burst of energy... The year 2026 brought further changes, and the current lineup is as follows: Jakub (vocals – also of Necrocranium, Imperial Execration), Patryk (bass – also of Deadpoint), Łukasz (guitar – also of Cry of the Nile), and Darek Młody (drums – also of Squash Bowels, Magnus, Stillborn…).

V: 你们乐队发行的每一张专辑在录音质量方面都广受好评。你们是在哪家录音室录制的？由谁担任制作人？新专辑的制作过程进展顺利吗？

Every album your band releases has been exceptionally well-received in terms of recording quality. Which studio did you record your albums in? Who produced them? Is the production process for your new album going smoothly?

M: 我们的前两部作品"Panzergrind"和"Bullet(in)"是在弗罗茨瓦夫的JM Records录制的。2013 年发行的合辑"Radical Circus Team"则是在多个不同地点录制的。从"Human Cargo"这张专辑开始，我们便转而在位于梅什库夫的自家录音室“Panzerstudio”进行录制。最近三部作品的录音和制作工作都是由我负责的。每次录音结束后，我总会反思有哪些地方本可以打磨得更细致、做得更好——正因如此，能收到如此积极的反馈，我感到非常欣慰。其实，我们最新专辑的素材早在一段时间前就已经创作完成了。在此期间，乐队更换了主唱，这无疑对新专辑的录制进度和时间安排产生了一定影响。

We recorded our first two releases, "Panzergrind" and "Bullet(in)," at JM Records in Wrocław. The 2013 split, "Radical Circus Team," was recorded across several different locations. Since the album "Human Cargo," we have been recording at our own "Panzerstudio" in Myszków. I have been responsible for the recording and production of our last three releases. After every recording session, I find myself reflecting on things that could have been further refined or done even better—which is why it’s always very gratifying to hear such positive feedback. The material for our latest album was actually written some time ago. In the meantime, there was a change of vocalist, which undoubtedly influenced the process and time of recording the new album.

V: 你们曾与Deformeathing Production和Fat Ass Records等厂牌合作发行专辑，这些都是非常出色的厂牌。今年你们的新专辑则是通过Selfmadegod Records发行的。你们是如何与这些厂牌取得联系并达成合作的？你们对他们的工作表现满意吗？尤其是与Selfmadegod Records的合作？

You've collaborated with labels like Deformeathing Production and Fat Ass Records on album releases, which are all excellent labels. Your new album this year was released on Selfmadegod Records. How did you contact and collaborate with these labels? Are you satisfied with their work? Especially with Selfmadegod Records?

M: 我们与这些厂牌的合作都是自然而然促成的，因为我们彼此相识已久，且多年来一直活跃在同一个音乐圈子中。我无意抱怨或诋毁我们曾经合作过的厂牌，但事情本可以做得更好 ;) 我们身处地下音乐圈——我们做的并非商业化或朗朗上口的音乐——因此，我们从未奢求过什么惊人的成功 ;) Selfmadegod是波兰乃至国际极端音乐界中最重要、最受推崇的独立厂牌之一。对于全球各地的极端金属乐迷而言，这是一个广受认可的厂牌。我们希望借此机会，让我们的音乐能够触及更多热爱这种狂暴之声的听众。

Our collaborations with labels have always come about spontaneously, as we’ve known each other and been active in the same scene for many years. I have no intention of complaining or badmouthing our previous labels, but things could always have been better ;) We operate in the underground—we don’t play commercial or catchy music—so none of us ever set our sights on some spectacular success ;) Selfmadegod holds the position of one of the most significant and respected independent labels within both the Polish and international extreme music scenes. It’s a brand recognized by fans of extreme metal all over the world. We hope that, thanks to this, our music will reach a wider audience of those who love brutal sounds.

V: 战争、死亡、谋杀——这些是你们音乐的主题。为什么选择这些主题？你们想通过它们表达什么？歌词是你们自己写的吗？是谁创作的？灵感又来自哪里？

War, Death, Murder—these are your musical themes. Why did you choose these themes? What do you want to express through them? Did you write the lyrics? Who wrote them, and what inspired them?

M: 战争、死亡和谋杀这些题材，为表达强烈的情感提供了广阔的空间。然而，我们的关注点并非仅仅在于展现残酷或制造感官冲击；我们更感兴趣的是人性中阴暗的一面——人类的心理、执念、攻击性，以及人类所能触及的极端边界。我们的灵感源于真实事件、连环杀手的故事、战争，以及人类行为和各种心理机制。我们创作的起点往往是一个具体的念头、一种情绪或一段叙事，随后将其进一步发展为歌词。对我们而言，这种残酷风格的音乐恰好与这些主题相得益彰。我们无意说教，也不想强加某种特定的解读——我们只是想传达情感，创作出能让人久久回味的音乐。

War, death and murder are topics that provide enormous scope for expressing strong emotions. However, our focus is not merely on brutality or shocking the audience; we are primarily interested in the darker side of human nature—the human psyche, obsessions, aggression, and the extremes to which people are capable of going. We are inspired by real events, stories of serial killers, wars, as well as human behavior and various types of psychological mechanisms. Often, our starting point is a specific thought, emotion, or narrative, which we then develop further in our lyrics. For us, brutal music serves as a natural complement to these themes. We do not seek to lecture anyone or impose specific interpretations—we simply want to convey emotions and create music that lingers in the mind.

V: 你们的标志设计是我见过最有创意的。是谁设计的？你们的专辑封面与音乐主题非常契合，但我注意到新专辑的封面风格似乎有所变化。这些封面是谁设计的？新封面的灵感又来自何处？

Your logo design is absolutely the most creative I've ever seen. Who designed it for you? Your album art perfectly matches your musical themes, but I think your new album art has changed. Who designed these album artworks? What inspired the new artwork?

M: 感谢你对我们标志的赞赏。至于专辑封面，我们每次都委托不同的艺术家进行创作。我们曾先后与Szymon Siech、Maggie Fox Art、Michał Grabowski以及Six Art合作。他们每个人都为我们的音乐注入了独特的风格与视角；因此，尽管各张封面的视觉呈现各不相同，但每一张都精准捕捉到了其所对应作品的独特氛围。在新唱片中，我们也希望尝试一些不同的方向。我们不想被固定的模式所束缚，也不愿仅仅是重复过去的想法。改变视觉风格是顺理成章的一步——新作品本身就蕴含着独特的氛围、情感与内涵，因此在视觉呈现上也带来一些新鲜感，这对我们来说至关重要。在我们看来，封面绝非音乐的简单附庸；它是整个发布内容中不可或缺的一部分。

Thanks for the positive feedback on our logo. As for our album artwork, we’ve entrusted it to a different artist each time. For our releases, we’ve collaborated with Szymon Siech, Maggie Fox Art, Michał Grabowski, and Six Art. Each of them brought their own unique style and perspective on our music; consequently, while the covers differ from one another, each one captures the specific mood of the material it represents. For our new record, we also wanted to head in a slightly different direction. We don’t want to lock ourselves into a single formula or simply repeat past ideas. Changing the visual style was a natural step—the new material carries its own atmosphere, emotions, and message, so it was important to us to present something fresh from a visual standpoint as well. To us, the cover isn’t just an add-on to the music; it’s an essential part of the release as a whole.

V: 你们2006年发行的EP"Panzergrind"和2019年的专辑"Fascinated About Mortality"，其曲目命名方式相当有趣。在"Panzergrind"中，所有曲目名称均由数字组成；而在2019年的"Fascinated About Mortality"中，所有曲目名称都以字母“F”开头，宛如小说中的各个章节。能否谈谈这两张作品在曲目命名上的灵感来源？

Your 2006 EP *Panzergrind* and your 2019 album *Fascinated About Mortality* are quite interesting in terms of their song titles. First, all the song titles on your “Panzergrind” EP consist entirely of numbers, while all the song titles on your 2019 album “Fascinated About Mortality” begin with the letter “F,” much like chapters in a novel. Could you tell us about the inspiration behind the song titles on these two albums?

M: 对于"Panzergrind"，我们决定仅用数字来命名曲目，这纯粹是我们当时为该作品设定的构思。我们想尝试一些与众不同的东西，避开常规的曲目命名方式。这种做法显得原始、充满技术性且带有神秘色彩——这些特质与我们音乐的风格非常契合。至于"Fascinated About Mortality"，我们则选择围绕“FAM”这一缩写展开——这恰好也是我们乐队的名字。每首曲目都以字母“F”开头，这既呼应了专辑标题，也与乐队名称遥相呼应。通过这种方式，我们希望保持某种连贯性并为整张专辑构建出一个独特的主题线索。我们很喜欢这类构思和巧妙的细节——它们往往不会在初次接触时就显而易见。并非所有东西都需要直白地表达出来；如果听众能自行发现这些内在联系，那再好不过了。对我们而言，无论是创作音乐，还是构思整张作品的概念，这些过程本身就充满了乐趣。

In the case of *Panzergrind*, the idea of using only numbers for track titles was simply our concept for that particular release. We wanted to do something different, avoiding typical song titles. This approach felt raw, technical, and mysterious—qualities that fit the character of the music perfectly. In turn, with Fascinated About Mortality we decided to play with the abbreviation FAM, which is the name of our band. Every track title begins with the letter "F"—a deliberate nod to both the album title and the band’s name. In this way, we wanted to maintain a certain consistency and create a distinctive leitmotif for the entire album. We enjoy these kinds of ideas and subtle touches—details that aren't always obvious at first glance. Not everything needs to be spelled out explicitly; it’s great when listeners discover these connections on their own. For us, it’s all part of the fun—both in creating the music and in developing the overall concept for a release.

V: 首先，祝贺你们即将推出新专辑——这是你们的第四张全长作品。你们的音乐令人印象深刻；你们不仅受到了波兰Death M,etal和G的影响，还汲取了一些捷克乐队的风格。你们的作品短小精悍，节奏把控得极其精准。你们融合了多种元素——既有Groovy，又包含Crust/Grind风格，甚至还融入了一些实验性的尝试。两位主唱一高一低，配合得天衣无缝；而那沉重且充满力量感的吉他Riff，则让我想起了Mortician乐队的作品。你们如何看待自己的音乐？新专辑与你们之前的作品有何不同？

First of all, congratulations on your band’s upcoming new album—your fourth full-length release. Your music really leaves a lasting impression; you’re not only influenced by Polish death metal and grindcore, but also by some Czech bands. Your tracks are short and powerful, and the rhythm is perfectly executed. You blend many different elements—groovy, crust/grind, and even some experimental touches. The two vocalists, one high and one low, complement each other perfectly, and the heavy, powerful riffs remind me of Mortician’s work. What are your thoughts on your own music? How does the new album differ from your previous work?

M: 感谢你们的赞美，也谢谢你们注意到了我们音乐中丰富的元素！确实，我们并不局限于单一的音乐风格。在我们的作品中，既有快节奏的Grindcore风格段落，也有沉重、带有Slam风格的Breakdown，还有更具Groove的部分。我们从不避讳这一点：经典的Death-Grind乐队是我们重要的参考对象，特别是在吉他Riff的重量感，以及那种标志性的、极具压迫感的节奏方面。至于这张新专辑，我们不想只是重复以往作品中的套路。它依然保持了快速、沉重和狂暴的特质，但在节奏编排、速度转换，以及高速段落与缓慢沉重的间奏之间的对比上，我们做了更多的实验。我们的目标是让曲目保持紧凑与专注，同时确保它们不会全都遵循完全相同的创作公式。虽然我们很难客观评价自己的音乐，但可以肯定的是，这些新作品标志着我们又向前迈进了一步。我们并非要刻意去彻底重塑 FAM，而是希望在不断演进音乐风格的同时，保留那些从一开始就定义了我们的核心特质——狂暴、沉重，以及那种直接且毫不妥协的创作态度。

Thanks for the kind words and for noticing the various elements in our music! It’s true—we don’t limit ourselves to a single genre. You can hear everything from fast, grindcore-style sections and heavy, slam-influenced breakdowns to more rhythmic, groove-oriented parts. We also make no secret of the fact that classic death-grind bands are a major point of reference for us, especially when it comes to the weight of the riffs and that signature, crushing tempo. As for the new album, we didn’t want to just repeat what we’d done on previous releases. It’s still fast, heavy, and brutal, but there’s more experimentation with rhythm, transitions between tempos, and the contrast between high-speed passages and slow, heavy breakdowns. Our goal was to keep the tracks tight and focused, while ensuring they didn’t all follow the exact same formula. It’s hard for us to judge our own music, but we do know that this new material represents another step forward. We are not trying to forcefully reinvent FAM. rather, we want to evolve our sound while preserving the hallmarks that have defined us from the start—brutality, heaviness, and a direct, uncompromising approach.

V: 作为一个资深乐队，你们参加过许多音乐节和现场演出。有哪些音乐节给你们留下了深刻的印象？能否描述一下当时现场的氛围？2026年你们又有哪些新的演出计划呢？

As a long-established band, you’ve performed at many music festivals and live shows. Which festivals left a lasting impression on you? Can you describe the atmosphere at those events? What new performance invitations do you have lined up for 2026?

M: 多年来，我们在各种不同的场地和环境下演出过。最令我们难忘的，往往是那些发生过“非同寻常”事件的演出——比如我们在捷克“Obscene Extreme”音乐节上的经历。每次我们在那里演出时，总会有乐迷冲上舞台，展示他们各种各样的“特质”——哈哈！不过话说回来，这就是“Obscene Extreme”音乐节，去过现场的人都知道，这可是常态 :) 目前，我们正在筹划明年的各类音乐会和音乐节…

Over the years we have played in various places and conditions. The shows that stick in our memory the most are always the ones where something unusual happens—like our performances at the Obscene Extreme festival in the Czech Republic, for instance. Every time we’ve played there, fans have ended up on stage, showing off various "attributes" of theirs—ha ha! But then again, this is Obscene Extreme; But this is Obscene Extreme fest and whoever was there knows that this is the norm :) At the moment we are planning next year's concerts and festivals...

V: 你们是一支非常出色的乐队，我会继续关注并支持你们。也希望通过这次访谈，能让更多的中国乐迷认识并支持你们。在访谈即将结束之际，你们有什么想对中国乐迷说的吗？

You’re an excellent band, and I’ll continue to follow and support you. I also hope this interview will help more Chinese fans discover and support your band. As we’re wrapping up, is there anything you’d like to say to your Chinese fans?

M: 非常感谢你们的赞美与支持，也感谢你们邀请我们进行这次访谈！得知我们的音乐能传得这么远，在中国也有听众，这真的太棒了！我们要感谢所有关注我们作品并支持地下音乐圈的中国乐迷。能有远在地球另一端的人花时间去发掘我们的音乐，这让我们感到非常振奋。希望未来能有更多人接触到FAM；也许有一天，我们能有机会在中国举办演出，与大家面对面相见。在此之前——请尽情大声聆听音乐，继续支持地下音乐圈！\m/

Many thanks for the kind words, the support, and the invitation to this interview! It’s truly great to know that our music reaches so far and that we have listeners in China as well. We’d just like to thank all our Chinese fans for their interest in our work and for supporting the underground scene. It’s really heartening for us that someone on the other side of the world takes the time to discover our music. We hope that even more people will come across FAM, and perhaps one day we’ll be able to play a show in China and meet you all in person. Until then—listen loud and keep supporting the underground! \m/