背信弃义 - 葡萄牙Doom / Death Metal乐队Through Void专访

Volcano Magazine
15 minutes ago
7 min read

来自葡萄牙里斯本的死亡/厄运金属新军 Through Void 成立于2023年，以沉重迟缓的节奏与阴郁压抑的氛围迅速引起地下关注。他们的音乐游走于绝望与内省之间，呈现出强烈的情绪张力。本次我们与 Through Void 对话，探讨其创作理念与声音世界。

（V: 代表笔者 T: 代表Through Void乐队）

Emerging from Lisbon, Portugal, Through Void is a death/doom metal act formed in 2023, quickly gaining attention in the underground with their slow, crushing tempos and bleak atmosphere. Their music moves between despair and introspection, carrying strong emotional weight. In this interview, we explore their creative vision and sonic world.

(V: Author; T: Through Void)

采访对象：Through Void（Through Void队）

采访时间：2026.05.16

V: 你们好！请先向中国的听众介绍一下 Through Void，这个项目是如何在2023年成立的？

Hello! First of all, please introduce Through Void to the Chinese audience. How did this project come together in 2023?

T: Through Void是一支来自葡萄牙里斯本的Death / Doom Metal乐队，由一群曾在地下音乐圈活跃的音乐人于2023年组建。这个乐队的成立水到渠成——我们怀揣着共同的愿景：创作既情感沉重、节奏缓慢、氛围浓厚，又真诚且毫不妥协的音乐。从一开始，我们就对毫无方向的实验性创作不感兴趣。我们清楚自己想要什么：一种不仅在吉他段落中，更在氛围营造与情感

深度上都具有分量的声音。

Through Void is a death/doom metal band from Lisbon, Portugal, formed in 2023 by musicians with previous experience in the underground scene. The project came together naturally — we shared a common vision of creating music that is emotionally heavy, slow, and atmospheric, but also honest and uncompromising. From the beginning, we were not interested in experimentation without direction. We knew what we wanted: a sound that could carry weight not only in riffs, but in atmosphere and emotional depth.

V: Through Void这个名字本身带有强烈的虚无与存在主义意味，它背后的含义是什么？

The name “Through Void” carries a strong sense of nihilism and existentialism. What does it mean to you?

T: Through Void象征着一段旅程——不是走向黑暗，而是穿越黑暗。它体现了直面空虚、孤立与存在主义不确定性，而非逃避它们的理念。这并非沉溺于虚空之中，而是要穿越它。绝望与前行之间的张力，正是我们身份认同的核心所在。

Through Void represents a journey — not into darkness, but through it. It reflects the idea of confronting emptiness, isolation, and existential uncertainty, rather than avoiding them. It is not about staying lost in the void, but about crossing it. That tension between despair and movement is central to our identity.

V: 你们的音乐融合了厄运金属的阴郁旋律与死亡金属的攻击性，这种平衡是如何在创作中实现的？

Your music blends the melancholic atmosphere of doom metal with the aggression of death metal. How do you achieve this balance in your songwriting?

T: 平衡源于对比与掌控。我们构建缓慢、沉重且忧郁的音乐架构，随后以一种自然而非生硬的方式融入侵略性元素。Doom Metal属赋予音乐空间感与厚重感，Death Metal则带来强烈的张力与宣泄。我们并不将它们视为独立的元素——它们共存于一体，共同塑造着相同的情感叙事。

The balance comes from contrast and control. We build slow, heavy and melancholic structures, and then introduce aggression in a way that feels natural, not forced. Doom gives space and weight. Death metal gives intensity and release. We don’t treat them as separate elements — they exist together, shaping the same emotional narrative.

V: 你们更倾向于传统Death / Doom，还是加入了更多现代或氛围化的元素？

Do you lean more toward traditional death / doom, or do you incorporate more modern or atmospheric elements?

T: 我们的音乐根基无疑扎根于传统的death / doom，但我们也融入了现代制作手法和氛围感十足的音效层次。我们尊重这一流派的起源，但并不试图复刻过去。我们的目标是拓展这一流派——使其更具沉浸感、更具动态感，并在情感表达上更加细腻。

Our foundation is definitely rooted in traditional death/doom, but we incorporate modern production and atmospheric layers. We respect the origins of the genre, but we are not trying to recreate the past. We aim to expand it — making it more immersive, more dynamic, and more emotionally detailed.

V: 你们的音乐似乎强调绝望、内省与人类情感的黑暗面，这些主题来源于现实体验，还是更偏向哲学表达？

Your music seems to emphasize despair, introspection, and the darker side of human emotion. Do these themes come from personal experience, or are they more philosophical in nature?

T: 这两者兼而有之。音乐背后蕴含着真实的情感体验——失去、孤立、内心冲突——但这些体验已被转化为更具普世性的东西。与此同时，其中还蕴含着浓厚的哲学内涵，尤其体现在存在主义以及对虚无的直面上。我们并不试图给出答案——而是去探索答案的缺失。

It’s a combination of both. There are real emotional experiences behind the music — loss, isolation, internal conflict — but they are transformed into something more universal. At the same time, there is a strong philosophical layer, especially around existentialism and the confrontation with meaninglessness. We don’t try to give answers — we explore the absence of them.

V: 关于你们的作品（如"Forsaken"），创作过程是以Riff为核心，还是从整体氛围出发？

Regarding your releases (such as Forsaken), is your songwriting driven more by riffs, or do you start from an overall atmosphere?

T: 情况各不相同，但大多数时候都是从氛围开始的。一种情绪、一种感觉、一种空间感——然后才构思出相应的吉他段落来烘托这种氛围。有时一个吉他段落能引发一切，但即便如此，它也必须融入更宏大的情感架构之中。对我们来说，歌曲不仅仅是吉他段落的堆砌——它们是一种环境。

It varies, but most of the time it starts with atmosphere. A mood, a feeling, a sense of space — and then the riffs are built to serve that. Sometimes a riff can trigger everything, but even then, it needs to fit into a larger emotional structure. For us, songs are not just sequences of riffs — they are environments.

V: 在录音和制作过程中，你们是更追求原始粗糙的 lo-fi 质感，还是清晰现代的声音？为什么？

In recording and production, do you prefer a raw, lo-fi aesthetic or a clearer, more modern sound? Why?

T: 我们追求一种平衡。我们希望声音既厚重、自然且具有沉浸感，又能保持足够的清晰度，让每一层声音都能自由呼吸。纯粹的低保真音效可能会失去深度，而过于干净的制作则可能失去氛围感。因此，我们致力于打造一种既饱满又层次分明的声音——一种充满生命力而非人造感的声音。

We aim for a balance. We want the sound to be heavy, organic and immersive, but also clear enough to allow every layer to breathe. Pure lo-fi can lose depth, and overly clean production can lose atmosphere. So we focused on creating a dense but defined sound — something that feels alive, not artificial.

V: 葡萄牙的地下金属场景对你们有何影响？与其他欧洲国家相比，你认为葡萄牙的极端金属氛围有什么独特之处？

How has the Portuguese underground metal scene influenced you? Compared to other European countries, what makes it unique in your view?

T: 与其他国家相比，葡萄牙的音乐圈规模虽小，却充满热情且极具原汁原味。这里有着强烈的身份认同感和韧性。正因为规模不大，乐队往往需要付出更多努力，从零开始打拼。这也使得艺术家与观众之间建立了更真挚的联系。

The Portuguese scene is smaller compared to other countries, but it is very dedicated and authentic. There is a strong sense of identity and resilience. Because it’s not a massive scene, bands often need to push harder and build things from the ground up. That creates a more genuine connection between artists and audience.

V：哪些乐队或专辑对你们的声音塑造影响最大？（可以不限于Death / Doom）

Which bands or albums have had the biggest influence on your sound? (Not limited to Death / Doom).

T: 像Paradise Lost、My Dying Bride和Swallow the Sun这样的乐队，在氛围营造和情感深度方面对我们有着明显的影响。但我们也从该流派之外汲取灵感——环境音乐、暗黑风格的配乐，甚至包括寂静本身。灵感不仅源于声音，更源于情感。

Bands like Paradise Lost, My Dying Bride and Swallow the Sun are clear influences in terms of atmosphere and emotional depth. But we also draw inspiration from outside the genre — ambient music, dark soundtracks, and even silence itself. Inspiration is not only about sound, but about feeling.

V: 你们希望Through Void在未来几年发展成一个怎样的项目？

How do you envision the future of Through Void in the coming years?

T: 我们希望稳步发展，并在Death / Doom乐坛树立鲜明的风格。这包括在国际上进行现场演出、触达新的听众群体，以及在音乐上不断进化。我们目前正在创作新作品。Through Void并非一个短期项目——这是我们正在长期耕耘的事业。

We want to grow steadily and build a strong identity within the death/doom scene. That includes playing live internationally, reaching new audiences, and continuing to evolve musically. We are already working on new material. Through Void is not a temporary project — it’s something we are building long-term.

V: 最后在采访的尾声，有什么想对中国地下金属听众说的吗？

Finally at the end of this interview, is there anything you would like to say to your Chinese underground metal listeners?

T: 感谢你抽出时间聆听我们的音乐。我们知道距离遥远，但音乐是无国界的。

Thank you for taking the time to discover our music. We know the distance is great, but music has no borders.